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In terms of the narrative, however, the title “Worm” also suggests that the lawyer and the judge (and jury, for that matter) – those characters who aren’t based on the memories of actual people – are entirely products of decay, birthed, as it were, from Pink’s wall. Couple this with the lawyer proclaiming to speak on behalf of “the crown” and one can easily imagine Waters poking fun at the British judicial system, insinuating that those who govern the lives of everyday citizens are little more than fops and closed-minded fools. In his opening remarks, the prosecutor addresses the Judge as “Worm your honor,” a title that recalls that well-used symbol of decay found throughout the second half of the album. The result is a theatrical, almost circus-like intro that immediately throws the listener off balance – not unlike what Pink himself is experiencing. Orchestral instruments have indeed played background roles throughout album, but in “the Trial” they dominate, easily comprising over half the score of the song.
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#VALUE OF PINK FLOYD THE WALL ALBUM TRIAL#
And in keeping with the Floydian irony that is so much a hallmark of the album, while most trials determine whether a person goes to jail or not, Pink’s trial will determine whether he will be freed from his self-created prison cell.Įven before the prosecutor begins to make his case, the listener is acutely aware of the dramatic shift into the topsy-turvy world of Pink’s mind, thanks to the highly stylized opening music. For example, the character of his mother is more a representation of how Pink views his mom rather than an actual depiction of how she is in real life – a key point that has been reinforced ever since her introduction in “the Thin Ice.” It must be remembered that it is Pink and Pink alone who is on trial here, not the bricks that have populated his life. They’re all in his mind, they’re all memories.” Being figments of his imagination, each character, though somewhat independent of Pink’s main persona, are influenced by his ideas and memories. He continued by saying that “the judge is part of him just as much as all the other characters and things he remembers. In his 1979 summary of the album, Roger Waters described the song as Pink putting himself on trial.
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The song is a seeming contradiction, offering a dichotomous look at the light and dark, good and ill, of Pink’s life from a number of different perspectives, all of which take place within the mind of one person. In many ways, “the Trial” epitomizes all that is the Wall, combining the album’s high theatrics, unflinching cynicism, dark humor, tongue-in-cheek irony, deep emotion, and (paradoxically) both unwavering nihilism and steadfast optimism. “The Trial” acts as both the musical and narrative climax, yet even that word and all its implications of resolution doesn’t quite do the song justice. N my original Wall analysis penned in 1997, I remarked that not enough could be said about “the Trial.” Years later and I still stand by that sentiment. Song In A Sentence: Pink puts himself on trial – conducted by the exaggerated and personified bricks – and ultimately orders his wall be torn down when he judges himself both responsible for the making of the wall as well as capable of reconnecting with the outside world. I sentence you to be exposed before your peers. Since, my friend, you have revealed your deepest fear
#VALUE OF PINK FLOYD THE WALL ALBUM FULL#
Of someone more deserving of the full penalty of law. In all my years of judging I have never heard before The evidence before the court is incontrovertible There must have been a door there in the wall M'Lord I never wanted him to get in any trouble. Have you broken any homes up lately?Ĭome to mother baby, let me hold you in my arms. If they'd let me have my way I could have Showing feelings of an almost human nature.